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[主观题]

Aesthetics is that region in the land of science whose borders of investigation are know

n as experiences of beauty, and whose soil is particularly favorite for the production of a crop called art works. This【M1】______ land of beauty and art has been visited numerous times by intrepid explorers, the aestheticians, who have given accounts more or less details, but always enthusiastic, of their discoveries. In most instances,【M2】______ however, the explorers met a cold reception on their returning home,【M3】______ while the reports of their findings were neither scorned or severely【M4】______ criticized. Now since we are about to venture into this apparently hazard region, it will be most advisable that we acquaint ourselves【M5】______ with that has been and is being said about the aestheticians and their【M6】______ findings, examine the charges, and see who is in fault, the explorers【M7】______ or their critics. There must be a misunderstanding somewhere, for among the explorers are some of the greatest minds of the ages, while their critics are men whose serious interest in art is beyond the【M8】______ question. We must take this step at the very outset of our own adventure in order to fortify ourselves for several risks and hazards【M9】______ that a mental journey of this sort entails. Our purpose, then, in examining the charges of the critics against the aestheticians is simply find out the better what the aestheticians are truly trying to do【M10】______ for us. An examination of the charges will reveal to us the nature and objectives of aesthetics as a field of study and investigation.

【M1】

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更多“Aesthetics is that region in the land of science whose borders of investigation are know”相关的问题

第1题

康德首先提出了Aesthetics的概念成为美学之父。()
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第2题

Why does the professor talk about personal taste?A.To point out its importance in the eval

Why does the professor talk about personal taste?

A.To point out its importance in the evaluation of art

B.To help students understand the meaning of aesthetics

C.To show that personal taste and aesthetics are the same

D.To help explain art from different cultures

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第3题

The Southside Poverty Alleviation Project______.A.aimed to improve the streets along the c

The Southside Poverty Alleviation Project______.

A.aimed to improve the streets along the canal

B.was to improve the poor people"s sense of aesthetics

C.achieved good results in making the area better

D.focused more on the practical side of the improvement

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第4题

Which of the following statements is true, according to the text?A.The lyrics of a song ar

Which of the following statements is true, according to the text?

A.The lyrics of a song are no different from the lyrics of poetry.

B.Song lyrics and poetry must be treated analytically as the same.

C.The differences between poetry and song lyrics have been overstated.

D.It is the time not the aesthetics that is different in most poems and song lyrics.

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第5题

听力原文:M: I would like to have a copy of Professor Robert Stam's book on theatrical aest
hetics, please.

W: I am sorry, sir. That book has just been sold out.

Where did the conversation most probably take place?

A.In a library.

B.In a classroom.

C.In a bookstore.

D.In a park.

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第6题

Studies of friendship seem to implicate more complex factors. For example, one function fr
iend-ship seems to fulfill is 【C1】______ it supports the image we have【C2】______ ourselves, and【C3】______ the value of the attitudes we hold. Certainly we appear to【C4】______ ourselves onto our friends; several studies have shown that we judge them to be more like us than【C5】______. This suggests that we ought to choose friends who are similar to us【C6】______ than those who would be【C7】______ ("opposites attract"), a prediction which is supported by【C8】______ evidence, at least so【C9】______ as attitudes and beliefs are【C10】______. In one experiment, some developing friendships were【C11】______ amongst first-year students living in the same hostel. It was found that similarity of【C12】______(towards politics, religion and aesthetics) was a good predictor of【C13】______ friendship would be established by the end of four months, though it had less to do with initial【C14】______—not surprisingly, since attitudes may not be obvious on first inspection.

The difficulty of linking friendship【C15】______ similarity of personality probably【C16】______ the complexity of our personalities; we have many【C17】______ and therefore require a disparate group of friends to support us. This of course can explain why we may have two close friends who have little in【C18】______, and indeed dislike each other. By【C19】______ large, though, it looks as though we would do well to choose friends who【C20】______ us.

【C1】

A.that

B.which

C.what

D.if

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第7题

For days, Beijing has been trapped under a blanket of yellow-brown dust that the U.S. Em
bassy air monitor classifies, in its hourly reading, " hazardous." Living under Beijing skies, one【M1】______ has come to expect an incremental uptick in the number of officially declared "blue sky" day each year.【M2】______ Nearly two years after the world failed to achieve a decisive climate change deal in Copenhagen, and we ve become used to【M3】______ many of what we read about the human effects of carbon【M4】______ emissions. Orville Schell, the author and the journalist who heads【M5】______ the Center on U.S.-China Relations at the Asia Society, has written repeated about the need for global cooperation on climate change.【M6】______ "As a writer, I felt that what I wrote had limited effect," he told me recently, "so we decided to try a different approach: Lets do it in a visual way." The results are in display now at the Three Shadows【M7】______ Photography Art Centre in Beijing, and, with luck, it will be near【M8】______ you soon. "Coal + Ice" is a documentary exhibition encompassing works by thirty photographers around the world.【M9】______ It seeks to doing something unprecedented: to chart the horrific【M10】______ grandeur of our effects on the planet, from the coal mines beneath our feet to the dwindling glaciers on our highest mountains. The images chosen by curators Jeroen de Vries and Susan Meiselas describe a spectrum that is vast in aesthetics and geography.

【M1】

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第8题

听力原文:W: Hey Steve, got any plans for tonight? M: Hi, Jane. No, I don't think so. Why?

听力原文:W: Hey Steve, got any plans for tonight?

M: Hi, Jane. No, I don't think so. Why? Got any suggestions?

W: In fact, I do. I just got two tickets to the opening of the exhibit of the reprints by Julia Margaret Cameron. I would have to mention it earlier, but I was on the waiting list for these tickets and I wasn't sure I'd even get them.

M: An exhibit, huh? I like such things. But I don't know who Julia……

W: Margaret Cameron! She was a photographer in the 1800s. She is interesting to art-historians in general and students of photography in particular because she ... how should I say, change the aesthetics for photography.

M: What do you mean?

W: Well, her specialty was portraits and instead of just making a factual record of details like most photographers did, you know, just capturing what a person look like in a dispassionate(平心静气的)thought of way. She, like a portrait painter, was interested in capturing her subject's personality.

M: Interesting! How did she do that?

W: She invented a number of techniques that affect the picture. Like one of these things she did was blur images slightly by using a soft focus on the subject. That's pretty common now.

M: Yeah, seen that. Who did she photograph?

W: Famous people of her day, Alfred Lord Tennyson, Henry Wadsworth Longfellow, Charles Darwin, I don't know who else. We'll see at the exhibition.

M: You really pick my curiosity. I am going to enjoy this.

(31)

A.A famous photographer.

B.Photographic processes in the 1800's.

C.Photographic equipment used in the 1800's.

D.A new museum.

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第9题

听力原文:W: Hey Steve, got any plans for tonight?M: Hi, Jane. No, I don't think so. Why? G

听力原文:W: Hey Steve, got any plans for tonight?

M: Hi, Jane. No, I don't think so. Why? Got any suggestions?

W: In fact, I do. I just got two tickets to the opening of the exhibit of the reprints by Julia Margaret Cameron. I would have mentioned it earlier, but I was on the waiting list for these tickets and I wasn't sure I'd even get them.

M: An exhibit, huh? I like such things. But I don't know who Julia...

W: Margaret Cameron! She was a photographer in the 1800s. She is interesting to art-historians in general and students of photography in particular because she...how should I say, changed the aesthetics for photography.

M: What do you mean?

W: Well, her specialty was portraits and instead of just making a factual record of details like most photographers did, you know, just capturing what a person looks like in a dispassionate sort of way. She, like a portrait painter, was interested in capturing her subject's personality.

M: Interesting! How did she do that?

W: She invented a number of techniques that affect the picture. Like one of those things she did was blurring images slightly by using a soft focus on the subject. That's pretty common now.

M: Yeah. Who did she photograph?

W: Famous people of her day, Alfred Lord Tennyson, Henry Wadsworth Longfellow, Charles Darwin... I don't know who else. We'll see at the exhibition.

M: You really pique my curiosity. I am going to enjoy this.

(20)

A.A famous photographer.

B.Photographic processes in the 1800s.

C.Photographic equipment used in the 1800s.

D.A new museum.

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