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By "a dimming of the lights"(Line , Para. 1 )Erving Goffman means" ______".
A．closing one's eyes
B．turning off the lights
C．ceasing to glance at others
D．reducing gaze-time to the minimum
答案
更多“By "a dimming of the lights"（Line , Para. 1 )Erving Goffman means" ______".A．closing one'”相关的问题
第1题
By "a dimming of the lights" (Para. 1, Line 9) Erving Goffman means "______".
A．closing one's eyes
B．turning off the lights
C．ceasing to glance at others
D．reducing gaze-time to the minimum
第2题
By “a dimming of the lights” (Para. 1, Line 9) Erving Goffman means “________”.
A) closing one’s eyes
B) turning off the lights
C) creasing to glance at others
D) reducing gaze-time to the minimum
第3题
Much of eye behavior. is so 【27】______ that we react to it only on the intuitive level. The next time you have a 【28】______ with someone makes you feel liked, notice what he does with his eyes. 【29】______ are he looks at you more often than is usual with 【30】______ a little longer than the normal. You interpret this as a sign -- a polite one -- 【31】______ he is interested in you as a person 【32】______ than just in the topic of conversation. Probably you also feel that he is both 【33】______ and sincere.
All this has been demonstrated in elaborate 【34】______ . Subjects sit and talk in the psychologist's laboratory, 【35】______ of the fact that their eye behavior. is being 【36】______ from a one-way vision screen. In one fairly typical experiment, 【37】______ were induced to cheat while performing a task, then were 【38】______ and observed. It was found that those who had 【39】______ met the interviewer's eyes less often than was 【40】______ , an indication that "shifty eyes" -- to use the mystery writers' stock phrase -- can actually be a tip-off to an attempt to deceive or to feelings of guilt.
【21】
A．friend
B．foreigner
C．passerby
D．stranger
第4题
Much of eye behavior. is so 【27】______ that we react to it only on the intuitive level. The next time you have a 【28】______ with someone who makes you feel liked, notice what he does with his eyes. 【29】______ are he looks at you more often than is usual with 【30】______ a little longer than the normal. You interpret this as a sign of a polite one 【31】______ he is interested in you as a person 【32】______ just in the topic of conversation. Probably you also feel that he is both 【33】______ and sincere.
All this has been demonstrated in elaborate 【34】______ . Subjects sit and talk in the psychologist's laboratory, 【35】______ of the fact that their eye behavior. is being 【36】______ from a one-way vision screen. In one fairly typical experiment, 【37】______ were induced to cheat while performing a task, then were 【38】______ and observed. It was found that those who had 【39】______ met the interviewer's eyes less often than was 【40】______ , an indication that "shifty eyes" to use the mystery writers' stock phrase can actually be a tip-off to an attempt to deceive or to feelings of guilt.
【21】
A．friend
B．foreigner
C．passerby
D．stranger
第5题
根据材料请回答 46～50 题
Exchange a glance with someone, and then look away. 46 Hold the glance for a sec-ond longer, and you have made a different statement.Hold for 3 seconds, and the mean-ing has changed again. For every social situation, there is a permissible time that you can hold a person's gaze without being intimate, rude, or aggressive.If you are on an eleva-tor, what gaze-time are you permitted？ 47 You very likely give other passengers a quick glance to size them up and to assure them that you mean no threat.Since being close to an-other person signals the possibility of interaction, you need to emit a signal telling others you want to be left alone.So you cut off eye contact, what sociologist Erving Goffman(1963) calls "a dimming of the lights". 48 Should you break the rule against staring at a stranger on an elevator, you will make the other person exceedingly uncomfortable, and you are likely to feel a bit strange yourself.
If you hold eye contact for more than 3 seconds, what are you telling another person？ 49 For instance, a man and a woman communicate interest in this manner.They typical-ly gaze at each other for about 3 seconds at a time, then drop their eyes down for 3 sec-onds, before letting their eyes meet again.But if one man gives another man a 3-second-plus stare, he signals "I know you." "I am interested in you." Or " 50 " This type of stare often produces hostile feelings.
A．To answer this question, consider what you typically do.
B．If one is looked at by a stranger for too long, he tends to feel curious.
C． You look down at the floor, at the indicator lights, anywhere but into another pas-senger's eyes.
D．Do you realize that you have made a statement？
E．Much depends on the person and the situation.
F．You look peculiar and I am curious about you.
第 46 题 请选择（46）处的最佳答案
第6题
Questions{TSE}are based on the followingpassage.
Language is, and should be, a livingthing, constantly enriched with new words and forms of expression. Butthere isa vital distinction between good developments, which add to the language,enabling us to say things wecould not say before, and bad developments, whichsubtract from the language by rendering it less precise. Avivacious, colorfuluse of words is not to be confused with mere slovenliness. The kind ofslovenliness in whichsome professionals deliberately indulge is perhaps akin tothe cult (迷信. of theunfinished work, which haseroded most of the arts in our time. And the trueanswer to it is the same that art is enhanced, not hindered, bydiscipline. Youcannot carve satisfactorily in butter.
The corruption of written English hasbeen accompanied by an even sharper decline in the standard of spoken
English. We speak very much less well than wascommon among educated Englishmen a generation or two ago.
The modem theatre has played a baneful (有害的) part in dimming our appreciation oflanguage. Instead ofthe immensely articulate dialogue of, for example, Shaw(who was also very insistent on good pronunciation.,audiences are now subjectedto streams of barely literate trivia, often designed, only too well, toexhibit'laek ofcommunication', and larded (夹杂. with theobscenities (下流的话. and grammatical errors of theintellectually impoverished. Emily Post once advised her readers: "Thetheatre is the best possible place to hear correctly-enunciated speech. "Alas, no more. One young actress was recently reported to be taking lessons inhow to speakbadly, so that she should fit in better.
But the BBC is the worst traitor. Aideryears of very successfully helping to raise the general standard ofspokenEnglish, it suddenly went into reverse. As the head of the Pronunciation Unitcoyly (含蓄地. put it, "In the1960s the BBC opened thefield to a much wider range of speakers." To hear a BBC disc jockeytalking to thelatest ape-like pop idol is a truly shocking experience of verbalsqualor. And the prospect seems to be of evenworse to come. School teachers areactively encouraged to ignore little Johnny's incoherent grammar,atrociousspelling and haphazard punctuation, because worrying about such thingsmight inhibit his creative genius.
61、The writer relateslinguistic slovenliness to tendencies in the arts today in that they both_________
A.occasionally aim at acertain fluidity
B.appear to shunperfection
C.from time to time showregard for the finishing touch
D.make use of economical shortcuts
第7题
A.occasionally aim at a certain fluidity
B.appear to shun perfection
C.from time to time show regard for the finishing touch
D.make use of economical short cuts
第8题
Questions61-65are based on the followingpassage.
Language is, and should be, a livingthing, constantly enriched with new words and forms of expression. Butthere isa vital distinction between good developments, which add to the language,enabling us to say things wecould not say before, and bad developments, whichsubtract from the language by rendering it less precise. Avivacious, colorfuluse of words is not to be confused with mere slovenliness. The kind ofslovenliness in whichsome professionals deliberately indulge is perhaps akin tothe cult (迷信). of theunfinished work, which haseroded most of the arts in our time. And the trueanswer to it is the same that art is enhanced, not hindered, bydiscipline. Youcannot carve satisfactorily in butter.
The corruption of written English hasbeen accompanied by an even sharper decline in the standard of spoken
English. We speak very much less well than wascommon among educated Englishmen a generation or two ago.
The modem theatre has played a baneful (有害的) part in dimming our appreciation oflanguage. Instead ofthe immensely articulate dialogue of, for example, Shaw(who was also very insistent on good pronunciation.,audiences are now subjectedto streams of barely literate trivia, often designed, only too well, toexhibit'laek ofcommunication', and larded (夹杂. with theobscenities (下流的话). and grammatical errors of theintellectually impoverished. Emily Post once advised her readers: "Thetheatre is the best possible place to hear correctly-enunciated speech. "Alas, no more. One young actress was recently reported to be taking lessons inhow to speakbadly, so that she should fit in better.
But the BBC is the worst traitor. Aideryears of very successfully helping to raise the general standard ofspokenEnglish, it suddenly went into reverse. As the head of the Pronunciation Unitcoyly (含蓄地). put it, "In the1960s the BBC opened thefield to a much wider range of speakers." To hear a BBC disc jockeytalking to thelatest ape-like pop idol is a truly shocking experience of verbalsqualor. And the prospect seems to be of evenworse to come. School teachers areactively encouraged to ignore little Johnny's incoherent grammar,atrociousspelling and haphazard punctuation, because worrying about such thingsmight inhibit his creative genius.
61、The writer relateslinguistic slovenliness to tendencies in the arts today in that they both_________
A.occasionally aim at acertain fluidity
B.appear to shunperfection
C.from time to time showregard for the finishing touch
D.make use of economical shortcuts
62、"Art is enhanced, nothindered, by discipline" (Lines 6-7, Paragraph 1 ) means_________
A.an artist's work will befiner if he observes certain aesthetic standards
B.an unfinished work is boundto be comparatively inferior
C.the skill of certain artistsconceals their slovenliness
D.artistic expression isinhibited by too many rules
63、Many modem plays, theauthor finds, frequently contain speech which _________
A.is incoherent andlinguistically objectionable
B.is far too ungrammatical formost people to follow
C.unintentionally shocks theaudience
D.tries to hide the author'sintellectual inadequacies
64、The author says that thestandard of the spoken English of BBC _________
A.is the worst among allbroadcasting networks
B.has taken a turn for theworse since the 1960s
C.has raised English-speakingup to a new level
D.is terrible because of a fewpopular disc jockeys
65、Teachers are likely tooverlook the linguistic lapses in their pupils since_________
A.they find that children nolonger respond to this kind of discipline nowadays
B.they fear the children maybecome less coherent
C.more importance is nowattached to oral expression
D.the children may bediscouraged from expressing their ideas
第9题
of expression. Butthere isa vital distinction between good developments, which add to the language,enabling us to say things wecould not say before, and bad developments, whichsubtract from the language by rendering it less precise. Avivacious, colorfuluse of words is not to be confused with mere slovenliness. The kind ofslovenliness in whichsome professionals deliberately indulge is perhaps akin tothe cult (迷信). of theunfinished work, which haseroded most of the arts in our time. And the trueanswer to it is the same that art is enhanced, not hindered, bydiscipline. Youcannot carve satisfactorily in butter.
The corruption of written English hasbeen accompanied by an even sharper decline in the standard of spoken English. We speak very much less well than wascommon among educated Englishmen a generation or two ago.
The modem theatre has played a baneful (有害的) part in dimming our appreciation oflanguage. Instead ofthe immensely articulate dialogue of, for example, Shaw(who was also very insistent on good pronunciation.,audiences are now subjectedto streams of barely literate trivia, often designed, only too well, toexhibit'laek ofcommunication', and larded (夹杂). with theobscenities (下流的话). and grammatical errors of theintellectually impoverished. Emily Post once advised her readers: "Thetheatre is the best possible place to hear correctly-enunciated speech. "Alas, no more. One young actress was recently reported to be taking lessons inhow to speakbadly, so that she should fit in better.
But the BBC is the worst traitor. Aideryears of very successfully helping to raise the general standard ofspokenEnglish, it suddenly went into reverse. As the head of the Pronunciation Unitcoyly (含蓄地). put it, "In the1960s the BBC opened thefield to a much wider range of speakers." To hear a BBC disc jockeytalking to thelatest ape-like pop idol is a truly shocking experience of verbalsqualor. And the prospect seems to be of evenworse to come. School teachers areactively encouraged to ignore little Johnny's incoherent grammar,atrociousspelling and haphazard punctuation, because worrying about such thingsmight inhibit his creative genius.
61、The writer relateslinguistic slovenliness to tendencies in the arts today in that they both_________
A.occasionally aim at acertain fluidity
B.appear to shunperfection
C.from time to time showregard for the finishing touch
D.make use of economical shortcuts
62、"Art is enhanced, nothindered, by discipline" (Lines 6-7, Paragraph 1 ) means_________
A.an artist's work will befiner if he observes certain aesthetic standards
B.an unfinished work is boundto be comparatively inferior
C.the skill of certain artistsconceals their slovenliness
D.artistic expression isinhibited by too many rules
63、Many modem plays, theauthor finds, frequently contain speech which _________
A.is incoherent andlinguistically objectionable
B.is far too ungrammatical formost people to follow
C.unintentionally shocks theaudience
D.tries to hide the author'sintellectual inadequacies
64、The author says that thestandard of the spoken English of BBC _________
A.is the worst among allbroadcasting networks
B.has taken a turn for theworse since the 1960s
C.has raised English-speakingup to a new level
D.is terrible because of a fewpopular disc jockeys
65、Teachers are likely tooverlook the linguistic lapses in their pupils since_________
A.they find that children nolonger respond to this kind of discipline nowadays
B.they fear the children maybecome less coherent
C.more importance is nowattached to oral expression
D.the children may bediscouraged from expressing their ideas
